2143/​246

Marie Henriques (b. Petershøj, Klampenborg 1866, d. Montebello 1944)

“Pelargonia”. Red, pink and white geranium in a greenhouse. Signed with monogram and dated 1916. Gouache, watercolour and sortkridt på papir. Lysmål 70×55.

Marie Henriques came from an artistic family that supported her in her dream of becoming an artist. She started her artistic education with private tuition from the painter Frants Henningsen, and in 1888, her father paid for a six-month stay in Paris, where she received instruction from the painters Alfred Stevens, Christian Krogh, and Othon Friesz. The same year she became a student at the newly established Academy of Fine Arts’ School of Art for Women (Kunstakademiets Kunstskole for Kvinder), where she studied until 1893.

Henriques made her debut at Charlottenborg in 1889, and she exhibited here for several years. In addition, she participated in a large number of exhibitions and had several solo exhibitions. She painted naturalistically but was also influenced by the Impressionists. She also found a role model in Anna Ancher and painted, like her, portraits, interiors, and still lifes.

Marie Henriques was co-founder of The Danish Women's Artist association (Kvindelige Kunstneres Samfund) In 1916, whose purpose was to ensure female artists the same rights and opportunities as male artists. She was a member of the association’s board until 1935. In 1920, she was both co-organizer and participant in the great exhibition the Women Artists’ Retrospective Exhibition (Kvindelige Kunstneres Retrospektive Udstilling) in Copenhagen arranged by The Danish Women´s Artist association. Henriques was also a member of the council of the Royal Danish Academy of Fine Arts in 1932–34 and member of the board of Kunstforeningen in 1935–37.

Henriques was on several study trips abroad, including in Italy, Spain, North Africa, England, the Netherlands, and Greece. She made several watercolours and colour litographs of architecture and ancient polychrome sculptures, for which she gained great recognition in her time.

Exhibited: Charlottenborg 1917 no. 232.

Condition

The paper has turned slightly brown. Damp discolouration at lower edge. A tear along the left side and upper edge.

Additional Remarks

Please note: The item is subject to the Anti-Money Laundering Act. In the event of a hammer price of DKK 50,000 or more, including buyer’s premium, the buyer must submit a copy of a valid photo ID and proof of address in order to collect the item.

Auction

Paintings, furniture and varia, 25 October 2021

Category
Estimate

3,000–4,000 DKK

Sold

Price realised

17,500 DKK  

57 bids

When Bidder Bid
17,500 DKK
17,000 DKK
16,500 DKK
16,000 DKK
(Auto bid) 15,500 DKK
15,500 DKK
(Auto bid) 15,000 DKK
14,500 DKK
(Auto bid) 14,000 DKK
13,500 DKK
(Auto bid) 13,000 DKK
12,500 DKK
12,000 DKK
11,500 DKK
11,000 DKK
10,500 DKK
(Auto bid) 10,000 DKK
9,500 DKK
(Auto bid) 9,000 DKK
8,500 DKK
(Auto bid) 8,000 DKK
7,500 DKK
(Auto bid) 7,000 DKK
6,500 DKK
6,000 DKK
5,500 DKK
(Auto bid) 5,000 DKK
4,800 DKK
(Auto bid) 4,600 DKK
4,400 DKK
(Auto bid) 4,200 DKK
4,000 DKK
(Auto bid) 3,800 DKK
3,600 DKK
3,400 DKK
3,200 DKK
(Auto bid) 3,000 DKK
2,900 DKK
(Auto bid) 2,800 DKK
2,700 DKK
(Auto bid) 2,600 DKK
2,500 DKK
(Auto bid) 2,400 DKK
2,300 DKK
(Auto bid) 2,200 DKK
2,100 DKK
(Auto bid) 2,000 DKK
1,950 DKK
(Auto bid) 1,900 DKK
1,850 DKK
(Auto bid) 1,800 DKK
1,750 DKK
(Auto bid) 1,700 DKK
1,650 DKK
1,600 DKK
1,550 DKK
1,500 DKK